Sonic art : an introduction to electroacoustic music composition / Adrian Moore.
Material type:
TextPublisher: New York, NY ; Abingdon, Oxon : Routledge, 2016Copyright date: 2016Description: xvii, 253 pages : illustrations ; 23 cmContent type: - text
- unmediated
- volume
- 9781138925014
- 1138925012
- 9781138925038
- 1138925039
- MT 56 .M66 2016
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
Book
|
Storms Research Center Main Collection | MT 56 .M66 2016 (Browse shelf(Opens below)) | Available | 98651178 |
Browsing Storms Research Center shelves,Shelving location: Main Collection Close shelf browser (Hides shelf browser)
| MT 55 .M36 2005 Counterpoint : a species approach based on Schenker's Counterpoint / | MT 55 .M4 S5 Sixteenth-century polyphony, a basis for the study of counterpoint, | MT 55 .M82 Introduction to counterpoint, | MT 56 .M66 2016 Sonic art : an introduction to electroacoustic music composition / | MT 56 .N54 2010 Algorithmic composition : paradigms of automated music generation / | MT 58 .C65 Musical form and musical performance | MT 58 .D36 1966 Musical structure and design. |
Includes bibliographical references and index.
What is sound? -- What does all this software do? -- The theory of opposites -- Multichannel composition -- Examples from the repertoire -- Space and time -- Philosophical reasonings -- The presentation of your work in performance -- The presentation of your work outside performance -- Appendices. A. USSS Toolkits -- B. Composer recollections : Kevin Austin ; Jonty Harrison ; Andrew Lewis ; Alistair MacDonald ; Adrian Moore ; Louise Rossiter ; Pete Stollery -- C. Binary representations -- D. Pere Data (Pd).
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