Supremely American : popular song in the 20th century : styles and singers and what they said about America / Nicholas Tawa.
Material type:
TextPublication details: Lanham, Md. : Scarecrow Press, 2005.Description: xvi, 333 pages ; 22 cmContent type: - text
- unmediated
- volume
- 0810852950
- 9780810852952
- ML 3477 .T39 2005
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
Book
|
Storms Research Center Main Collection | ML 3477 .T39 2005 (Browse shelf(Opens below)) | Available | 98649448 |
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| ML 3477 .S73 2010 American popular music from minstrelsy to MP3 / | ML 3477 .S73 2010 DISC 1 CD American popular music from minstrelsy to MP3 / | ML 3477 .S73 2010 DISC 2 CD American popular music from minstrelsy to MP3 / | ML 3477 .T39 2005 Supremely American : popular song in the 20th century : styles and singers and what they said about America / | ML 3477 .Y34 2015 The B side : the death of Tin Pan Alley and the rebirth of the great American song / | ML 3506 .C69 2013 The chronicle of jazz / | ML 3506 .M355 2012 Jazz : the first 100 years / |
Includes bibliographical references (pages 315-321) and index.
Preliminary considerations -- A closer look at the jazz age -- Swing time -- Change : different music cultures come to the fore -- White-American and British songs in a decade of turmoil -- Black-American music comes to the fore in the 1960s -- Out of the seventies -- The eighties and nineties -- A temporary ending.
This is a study of the way in which popular words and music relate to American life. The question of what popular song was, and why it came into existence, as well as how each song fit within the context of the larger 20th Century society are considered and explained clearly and fruitfully. Songs of the Jazz Age and Swing Era are considered primarily in terms of song-types and their relation to the times. Post World War II songs are shown to have splintered into a multitude of different styles and variations within each style. Many 20th Century songs came to be closely identified with particular singers and performance groups, shifting the attention to the styles identified with particular performers and the audiences they reached. Tawa avoids overly-technical vocabulary, making this examination of hundreds of popular songs accessible to a wide variety of readers seeking to better their understanding of the often perplexing musical landscape of the time [Publisher description].
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