The ugly Renaissance / Alexander Lee.
Material type:
TextPublisher: New York : Doubleday, [2013]Copyright date: 2013Description: xii, 433 pages, [16] pages of plates ; 25 cmContent type: - text
- unmediated
- volume
- 9780385536592 (hardcover)
- 0385536593 : HRD
- DG 445 .L44 2014
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
Book
|
Storms Research Center Main Collection | DG 445 .L44 2014 (Browse shelf(Opens below)) | Available | 98649396 |
Browsing Storms Research Center shelves,Shelving location: Main Collection Close shelf browser (Hides shelf browser)
| DG 445 .C46 1982 The world of the Italian Renaissance / | DG 445 .C83 The flowering of the Renaissance. | DG 445 .I765 2004 The Italian Renaissance / | DG 445 .L44 2014 The ugly Renaissance / | DG 447 .V313 1963 Daily life in eighteenth century Italy. | DG 533 .H35 Renaissance / | DG 533 .H39 1976 The Italian Renaissance in its historical background / |
Includes bibliographical references and index.
Introduction : Between heaven and earth -- The world of the Renaissance artist -- Michelangelo's nose -- In Peter's shadow -- What David saw -- The workshop of the world -- Michelangelo in love -- The world of the Renaissance patron -- The art of power -- The men with the Midas touch -- Mercenaries and madmen -- The unholy city -- The Renaissance and the world -- Filippo and the pirates -- Salomone's crime -- The rising crescent -- Of human bondage -- Brave new worlds.
Renowned as a period of cultural rebirth and artistic innovation, the Renaissance is cloaked in a unique aura of beauty and brilliance. Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit. In this lively and meticulously researched portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that were hidden beneath the surface of the best-known artworks of the Renaissance.
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