Leonardo and the Last supper / Ross King.

By: Material type: TextPublisher: New York : Walker & Company, 2012Edition: First U.S. editionDescription: 336 pages : illustrations ; 25 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780802717054
  • 0802717055
Subject(s): LOC classification:
  • ND 623 .L5 A683 2012
Contents:
The Last Supper : with Apostles identified -- The Bronze Horse -- Portrait of the artist as a middle-aged man -- The Cenacolo -- Dinner in Jerusalem -- Leonardo's court -- The Holy League -- Secret recipes -- "Trouble from this side and that" -- Every painter paints himself -- A sense of perspective -- A sense of proportion -- The beloved disciple -- Food and drink -- The language of the hands -- "No one loves the Duke" -- Epilogue: Tell me if I ever did a thing.
Summary: Tells the complete story of the creation of The Last Supper mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved -- everyone from Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work.
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Holdings
Item type Current library Call number Status Barcode
Book Storms Research Center Main Collection ND 623 .L5 A683 2012 (Browse shelf(Opens below)) Available 98648820

Includes bibliographical references and index.

The Last Supper : with Apostles identified -- The Bronze Horse -- Portrait of the artist as a middle-aged man -- The Cenacolo -- Dinner in Jerusalem -- Leonardo's court -- The Holy League -- Secret recipes -- "Trouble from this side and that" -- Every painter paints himself -- A sense of perspective -- A sense of proportion -- The beloved disciple -- Food and drink -- The language of the hands -- "No one loves the Duke" -- Epilogue: Tell me if I ever did a thing.

Tells the complete story of the creation of The Last Supper mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved -- everyone from Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work.

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