How we think : digital media and contemporary technogenesis / N. Katherine Hayles.

By: Material type: TextPublication details: Chicago ; London : The University of Chicago Press, 2012.Description: xiv, 280 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780226321400 (hardcover)
  • 9780226321424 (paperback : alkaline paper)
  • 0226321401 (hardcover)
  • 0226321428 (paperback : alkaline paper)
Subject(s): LOC classification:
  • P 96.T42 H39 2012
Contents:
How we think: digital media and contemporary technogenesis -- First interlude: practices and processes in digital media -- The digital humanities: engaging the issues -- How we read: close, hyper, machine -- Second interlude: the complexities of contemporary technogenesis -- Tech-toc: complex temporalities and contemporary technogenesis -- Technogenesis in action: telegraph code books and the place of the human -- Third interlude: narrative and database: digital media as forms -- Narrative and database: spatial history and the limits of symbiosis -- Transcendent data and transmedia narrative: Steven Hall's The raw shark texts -- Mapping time, charting data: the spatial aesthetic of Mark Z. Danielewski's Only revolutions.
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Holdings
Item type Current library Call number Status Barcode
Book Storms Research Center Main Collection P 96 .T42 H39 2012 (Browse shelf(Opens below)) Available 98644924

Includes bibliographical references (pages 255-269) and index.

How we think: digital media and contemporary technogenesis -- First interlude: practices and processes in digital media -- The digital humanities: engaging the issues -- How we read: close, hyper, machine -- Second interlude: the complexities of contemporary technogenesis -- Tech-toc: complex temporalities and contemporary technogenesis -- Technogenesis in action: telegraph code books and the place of the human -- Third interlude: narrative and database: digital media as forms -- Narrative and database: spatial history and the limits of symbiosis -- Transcendent data and transmedia narrative: Steven Hall's The raw shark texts -- Mapping time, charting data: the spatial aesthetic of Mark Z. Danielewski's Only revolutions.

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