Alfred Hitchcock's psycho: a casebook / edited by Robert Kolker.

Contributor(s): Material type: TextSeries: Casebooks in criticismPublication details: New York : Oxford University Press, 2004.Description: x, 261 p. : ill. ; 22 cmISBN:
  • 0195169190 (alk. paper)
  • 9780195169195 (alk. paper)
  • 0195169204 (pbk. : alk. paper)
  • 9780195169201 (pbk. : alk. paper)
Subject(s): LOC classification:
  • PN 1997 .P79 P78 2004
Online resources:
Contents:
The inception: Stephen Rebello, From Alfred Hitchcock and the making of Psycho -- Early reception: Bosley Crowther, Hitchcock's 'Psycho' bows at 2 Houses ; Psycho entry for "ten best films" -- The building of a reputation: Jean Douchet, Hitch and his audience ; Robin Wood, Psycho ; Raymond Durgnat, Psycho -- Psycho's music: Royal S. Brown, Herrmann, Hitchcock, and the music of the irrational -- Psycho and the gaze: George Toles, "If thine eye offend thee ...": Psycho and the art of infection -- Psychoanalytical approaches: Robert Samuels, Epilogue: Psycho and the horror of the bi-textual unconscious -- Gender, reception, and the postmodern: Linda Williams, Discipline and fun: Psycho and postmodern cinema -- The man who knew more than too much: Robert Kolker, The form, structure, and influence of Psycho.
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Item type Current library Call number Status Barcode
Book Storms Research Center Main Collection PN1997 .P79 P78 2004 (Browse shelf(Opens below)) Available 98634681

Includes bibliographical references (p. 257-259).

The inception: Stephen Rebello, From Alfred Hitchcock and the making of Psycho -- Early reception: Bosley Crowther, Hitchcock's 'Psycho' bows at 2 Houses ; Psycho entry for "ten best films" -- The building of a reputation: Jean Douchet, Hitch and his audience ; Robin Wood, Psycho ; Raymond Durgnat, Psycho -- Psycho's music: Royal S. Brown, Herrmann, Hitchcock, and the music of the irrational -- Psycho and the gaze: George Toles, "If thine eye offend thee ...": Psycho and the art of infection -- Psychoanalytical approaches: Robert Samuels, Epilogue: Psycho and the horror of the bi-textual unconscious -- Gender, reception, and the postmodern: Linda Williams, Discipline and fun: Psycho and postmodern cinema -- The man who knew more than too much: Robert Kolker, The form, structure, and influence of Psycho.

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