Sixteenth-century polyphony, a basis for the study of counterpoint, by Arthur Tillman Merritt.
Material type:
TextPublication details: Cambridge, Mass., Harvard University Press [c1967]Description: xvii, 215 p. illus. (music) 23 cmSubject(s):
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
Book
|
Storms Research Center Main Collection | MT 55 .M4 S5 (Browse shelf(Opens below)) | Available | 63889 |
Browsing Storms Research Center shelves,Shelving location: Main Collection Close shelf browser (Hides shelf browser)
| MT 55 .K53 1952 Counterpoint : based on eighteenth-century practice / | MT 55 .K53 1987 Counterpoint : based on eighteenth-century practice / | MT 55 .M36 2005 Counterpoint : a species approach based on Schenker's Counterpoint / | MT 55 .M4 S5 Sixteenth-century polyphony, a basis for the study of counterpoint, | MT 55 .M82 Introduction to counterpoint, | MT 56 .M66 2016 Sonic art : an introduction to electroacoustic music composition / | MT 56 .N54 2010 Algorithmic composition : paradigms of automated music generation / |
"Sources and bibliography": p. [209]-215.
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