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ocn910309803 |
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OCoLC |
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20251028093434.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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150401s2016 enkag b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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2015013132 |
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(Sirsi) i9780199331444 |
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DLC |
| Language of cataloging |
eng |
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rda |
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DLC |
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017569148 |
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Uk |
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018140672 |
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Uk |
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933788490 |
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934038849 |
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966449641 |
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9780199331444 |
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(hardcover |
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alkaline paper) |
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0199331448 |
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9780190650605 |
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(pbk.) |
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0190650605 |
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(OCoLC)910309803 |
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(OCoLC)933788490 |
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(OCoLC)934038849 |
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(OCoLC)966449641 |
| 037 ## - SOURCE OF ACQUISITION |
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| Source of stock number/acquisition |
Oxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513 |
| Note |
SAN 202-5892 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML 3916 |
| Item number |
.O96 2016 |
| 060 00 - NATIONAL LIBRARY OF MEDICINE CALL NUMBER |
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| Classification number |
2018 D-523 |
| 060 10 - NATIONAL LIBRARY OF MEDICINE CALL NUMBER |
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| Classification number |
ML 3916 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
780.87 |
| Edition information |
23 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
VF$A |
| 245 04 - TITLE STATEMENT |
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| Title |
The Oxford handbook of music and disability studies / |
| Statement of responsibility, etc. |
edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Oxford ; |
| -- |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2016] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 928 pages : |
| Other physical details |
illustrations, music ; |
| Dimensions |
26 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
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n |
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rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
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rdacarrier |
| 490 1# - SERIES STATEMENT |
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| Series statement |
[Oxford handbooks] |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Miscellaneous information |
Introduction: |
| Title |
Disability studies in music, music in disability studies / |
| Statement of responsibility |
Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus -- |
| Title |
Disability communities. -- |
| -- |
Toward an ethnographic model of disability, and human flourishing / |
| Statement of responsibility |
Michael B. Bakan -- |
| Title |
Music, intellectual disability, and human flourishing / |
| Statement of responsibility |
Licia Carlson -- |
| Title |
Imagined hearing: music-making in deaf culture / |
| Statement of responsibility |
Jeannette DiBernardo Jones -- |
| Title |
Musical expression among deaf and hearing song signers / |
| Statement of responsibility |
Anabel Maler -- |
| Title |
The politics of sound: music and blindness in France, 1750-1830 / |
| Statement of responsibility |
Ingrid Sykes -- |
| Title |
"They say we exchanged our eyes for the xylophone": resisting tropes of disability as spiritual deviance in Birifor music / |
| Statement of responsibility |
Brian Hogan -- |
| Title |
Understanding is seeing: music analysis and blindness / |
| Statement of responsibility |
Shersten Johnson -- |
| Title |
Performing disability. -- |
| -- |
Mechanized bodies: technology and supplements in Bj�ork's electronica / |
| Statement of responsibility |
Jennifer Iverson -- |
| Title |
Subhuman or superhuman? (Musical) assistive technology, performance enhancement, and the aesthetic/moral debate / |
| Statement of responsibility |
Laurie Stras -- |
| Title |
Disabling music performance / |
| Statement of responsibility |
Blake Howe -- |
| Title |
Musical and bodily difference in Cirque du Soleil / |
| Statement of responsibility |
Stephanie Jensen-Moulton -- |
| Title |
Punk rock and disability: cripping subculture / |
| Statement of responsibility |
George McKay -- |
| Title |
Moving experiences: blindness and the performing self in Imre Ung�ar's Chopin / |
| Statement of responsibility |
Stefan Sunandan Honisch -- |
| Title |
Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy / |
| Statement of responsibility |
Will Fulton -- |
| Title |
Oh, the stories we tell! Performer-audience-disability / |
| Statement of responsibility |
Michael Beckerman -- |
| Title |
The dancing ground: embodied knowledge, disability, and visibility in New Orleans second lines / |
| Statement of responsibility |
Daniella Santoro -- |
| Title |
Race, gender, sexuality. -- |
| -- |
A cannon-shaped man with an amphibian voice: castrato and disability in eighteenth-century France / |
| Statement of responsibility |
Hedy Law -- |
| Title |
Sexuality, trauma, and dissociated expression / |
| Statement of responsibility |
Fred Everett Maus -- |
| Title |
That "weird and wonderful posture": jump "Jim Crow" and the performance of disability / |
| Statement of responsibility |
Sean Murray -- |
| Title |
Disabled moves: multidimensional music listening, disturbing/activating differences of identity / |
| Statement of responsibility |
Marianne Kielian-Gilbert -- |
| Title |
War and trauma. -- |
| -- |
Disabled Union veterans and the performance of martial begging / |
| Statement of responsibility |
Michael Accinno -- |
| Title |
"Good bye, old arm": the domestication of veterans' disabilities in Civil War era popular songs / |
| Statement of responsibility |
Devin Burke -- |
| Title |
"The absurd disordering of notes": dysfunctional memory in the post-traumatic music of Ivor Gurney / |
| Statement of responsibility |
Beth Keyes -- |
| Title |
Vocal ability and musical performances of nuclear damages in the Marshall Islands / |
| Statement of responsibility |
Jessica A. Schwartz -- |
| Title |
Premodern conceptions. -- |
| -- |
Lyrical humor(s) in the "fumeur" songs / |
| Statement of responsibility |
Julie Singer -- |
| Title |
Difference, disability, and composition in the late Middle Ages: of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze / |
| Statement of responsibility |
Michael Scott Cuthbert -- |
| Title |
Madness and music as (dis)ability in early modern England / |
| Statement of responsibility |
Samantha Bassler -- |
| Title |
Saul, David, and music's ideal body / |
| Statement of responsibility |
Blake Howe -- |
| Title |
The classical tradition. -- |
| -- |
Narratives of affliction and recovery in Haydn / |
| Statement of responsibility |
Floyd Grave -- |
| Title |
Music and the labyrinth of melancholy: traditions and paradoxes in C.P.E. Bach and Beethoven / |
| Statement of responsibility |
Elaine Sisman -- |
| Title |
Musical prosthesis: form, expression, and narrative structure in Beethoven's sonata movements / |
| Statement of responsibility |
Bruce Quaglia -- |
| Title |
Sounds of mind: music and madness in the popular imagination / |
| Statement of responsibility |
James Deaville -- |
| Title |
Modernism and after. -- |
| -- |
Modernist opera's stigmatized subjects / |
| Statement of responsibility |
Sherry D. Lee -- |
| Title |
Autism and postwar serialism as neurodiverse forms of cultural modernism / |
| Statement of responsibility |
Joseph Straus -- |
| Title |
Broken facture: representations of disability in the music of Allan Pettersson / |
| Statement of responsibility |
Allen Gimbel -- |
| Title |
Representing the extraordinary body: musical modernism's aesthetics of disability / |
| Statement of responsibility |
Joseph Straus -- |
| Title |
"Defamiliarizing the familiar": Michael Nyman, narrative medicine, and the composition of mental blindness / |
| Statement of responsibility |
Stephanie Jensen-Moulton -- |
| Title |
Film and musical theatre. -- |
| -- |
Scene in a new light: monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008) / |
| Statement of responsibility |
Ann M. Fox -- |
| Title |
"Pitiful creature of darkness": the subhuman and the superhuman in The Phantom of the opera / |
| Statement of responsibility |
Jessica Sternfeld -- |
| Title |
"Waitin' for the light to shine": musicals and disability / |
| Statement of responsibility |
Raymond Knapp -- |
| Title |
Music for Olivier's Richard III: cinematic scoring for the early modern monstrous / |
| Statement of responsibility |
Kendra Preston Leonard -- |
| Title |
Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945) / |
| Statement of responsibility |
Neil Lerner. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
The Oxford Handbook of Music and Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity [Publisher description]. |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
Text in English. |
| 600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Morrisson, Matthew |
| Source of heading or term |
gnd |
| Authority record control number or standard number |
(DE-588)185567347 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
People with disabilities in music. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Disability studies. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Musicians with disabilities. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music. |
| Source of heading or term |
eflch |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Disability studies. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst00894656 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Musicians with disabilities. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01030882 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
People with disabilities in music. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01922143 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music. |
| Source of heading or term |
ukslc |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Musiciens. |
| Source of heading or term |
ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Handicap. |
| Source of heading or term |
ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Musique et handicap�es. |
| Source of heading or term |
ram |
| 650 12 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Disabled Persons |
| General subdivision |
psychology. |
| Authority record control number or standard number |
(DNLM)D006233Q000523 |
| 650 12 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music. |
| Authority record control number or standard number |
(DNLM)D009146 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Howe, Blake. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Jensen-Moulton, Stephanie. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lerner, Neil William, |
| Dates associated with a name |
1966- |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Straus, Joseph Nathan. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Oxford handbooks. |
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Brodart |
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BROD |
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113104588 |
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Baker and Taylor |
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BTCP |
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BK0018865946 |
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YBP Library Services |
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YANK |
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12481575 |
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YBP Library Services |
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YANK |
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12952304 |
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C0 |
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VF$ |