MARC details
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04918cam a2200457 i 4500 |
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ocn958780103 |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20251028093426.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
170127t20172017nyu b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2017003346 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(Sirsi) i9781501318917 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
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DLC |
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YDX |
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OCLCO |
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OCLCQ |
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VF$ |
| 019 ## - |
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958781274 |
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958863327 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781501318917 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1501318918 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781501318924 |
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(paperback ; |
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alkaline paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1501318926 |
| Qualifying information |
(paperback ; |
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alkaline paper) |
| 024 8# - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
95273454095 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)958780103 |
| Canceled/invalid control number |
(OCoLC)958781274 |
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(OCoLC)958863327 |
| 037 ## - SOURCE OF ACQUISITION |
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| Stock number |
13168904 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML 3918 .P67 |
| Item number |
B69 2017 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
VF$A |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Borschke, Margie, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
This is not a remix : |
| Remainder of title |
piracy, authenticity and popular music / |
| Statement of responsibility, etc. |
Margie Borschke. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Date of production, publication, distribution, manufacture, or copyright notice |
2017 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
vi, 186 pages ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
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nc |
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rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Miscellaneous information |
1. |
| Title |
This is not a remix -- |
| Miscellaneous information |
1.1. |
| Title |
Introduction -- |
| Miscellaneous information |
1.2. |
| Title |
Critical approach -- |
| Miscellaneous information |
2. |
| Title |
Copy, a brief history -- |
| Miscellaneous information |
2.1. |
| Title |
The ghost in the digital machine -- |
| Miscellaneous information |
2.2. |
| Title |
The trouble with media history -- |
| Miscellaneous information |
2.3. |
| Title |
"Again, back": Repetition and music's materiality -- |
| Miscellaneous information |
3. |
| Title |
The rhetoric of remix -- |
| Miscellaneous information |
3.1. |
| Title |
Remix as trope -- |
| Miscellaneous information |
3.2. |
| Title |
The extended remix: In the press -- |
| Miscellaneous information |
3.3. |
| Title |
The extended remix: Scholarly use -- |
| Miscellaneous information |
3.4. |
| Title |
Lawrence Lessig's "Remix Culture" -- |
| Miscellaneous information |
3.5. |
| Title |
Remix as resistance -- |
| Miscellaneous information |
3.6. |
| Title |
Why the history of remix matters -- |
| Miscellaneous information |
4. |
| Title |
Disco edits: Analog antecedents and network bias -- |
| Miscellaneous information |
4.1. |
| Title |
What a difference a record makes -- |
| Miscellaneous information |
4.2. |
| Title |
Interrupting the rhetoric of remix -- |
| Miscellaneous information |
4.3. |
| Title |
Disco edits, a technical distinction -- |
| Miscellaneous information |
4.4. |
| Title |
Hang the DJ -- |
| Miscellaneous information |
4.5. |
| Title |
Walter Gibbons, the break, and the edits that made disco -- |
| Miscellaneous information |
4.6. |
| Title |
Let your body talk -- |
| Miscellaneous information |
4.7. |
| Title |
Are samples copies? -- |
| Miscellaneous information |
4.8. |
| Title |
Parasites, pirates, and permission -- |
| Miscellaneous information |
4.9. |
| Title |
Digital revival and an analog persistence -- |
| Miscellaneous information |
4.10. |
| Title |
Credit to the edit -- |
| Miscellaneous information |
5. |
| Title |
The new romantics -- |
| Miscellaneous information |
5.1. |
| Title |
Piracy's long history -- |
| Miscellaneous information |
5.2. |
| Title |
MP3 blogs as social media -- |
| Miscellaneous information |
5.3. |
| Title |
Material media: MP3 blogs as artifacts and practices -- |
| Miscellaneous information |
5.4. |
| Title |
Provenance as metadata -- |
| Miscellaneous information |
5.5. |
| Title |
Rethinking participation and the folk aesthetic -- |
| Miscellaneous information |
5.6. |
| Title |
Countercultures and anticommercialism -- |
| Miscellaneous information |
5.7. |
| Title |
Networking authenticity -- |
| Miscellaneous information |
5.8. |
| Title |
Analog antecedents: Harry Smith's mystical collection -- |
| Miscellaneous information |
5.9. |
| Title |
Copies, networks, and a poetics of encounter -- |
| Miscellaneous information |
6. |
| Title |
Copies and the aesthetics of circulation. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet. Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that 'remix culture' is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition-including remixes, edits, mashup, bootlegs and playlists-Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility."--Publisher's description. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Remixes |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Sound recordings |
| General subdivision |
Social aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Popular music |
| General subdivision |
Social aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Music and the Internet. |
| 994 ## - |
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C0 |
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VF$ |