Experimental music since 1970 / (Record no. 137202)

MARC details
000 -LEADER
fixed length control field 02863cam a2200457 i 4500
001 - CONTROL NUMBER
control field ocn919858326
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251028093420.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 160126s2016 nyua b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2016003765
035 ## - SYSTEM CONTROL NUMBER
System control number (Sirsi) i9781628922486
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency YDX
-- YDXCP
-- BTCTA
-- BDX
-- OCLCF
-- ZCU
-- RES
-- STF
-- JHP
-- KNM
-- CHVBK
-- UKUOY
-- UKWOH
-- OCLCQ
-- IGA
-- OCLCQ
-- SFR
-- VF$
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBB6A1726
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 017944239
Source Uk
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781628922486
Qualifying information (hardback
-- alkaline paper)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1628922486
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781628922479
Qualifying information (paperback)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1628922478
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781628922493
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781628922516
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)919858326
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Bloomsbury USA Academic, C/O Mps 16365 James Madison Hwy, Gordonsville, VA, USA, 22942, (540)6727600
Note SAN 631-5011
042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML 197
Item number .G6857 2016
049 ## - LOCAL HOLDINGS (OCLC)
Holding library VF$A
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gottschalk, Jennie,
Relator term author.
245 10 - TITLE STATEMENT
Title Experimental music since 1970 /
Statement of responsibility, etc. Jennie Gottschalk.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York ;
-- London :
Name of producer, publisher, distributor, manufacturer Bloomsbury Academic,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
300 ## - PHYSICAL DESCRIPTION
Extent viii, 292 pages :
Other physical details illustrations ;
Dimensions 23 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 283-285) and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Defining features of experimental music. Introduction ; Indeterminacy ; Silence -- Scientific approaches. Acts of discovery ; Harmonic relations ; Playing with numbers ; Learning by making ; Finding hidden sounds -- Physicalities. The physicality of performance ; Resonant spaces ; Objects as instruments ; From shape to sound -- Perception. The position of the listener ; The perception of time -- Information, language, and interaction. Treatments of sonic information ; The sounds of living beings ; Language ; Interaction -- Place and time. Mappings ; Site-specific works ; Histories -- Advocates.
520 ## - SUMMARY, ETC.
Summary, etc. What is experimental music today? Recent attempts to define or identify examples of experimental music have been cautious and subjective, offering very little guidance to anyone with an interest in this field of activity. Is experimental music a historical event that refers only to John Cage and his influence, or does it have a greater spread and longevity? The development of this musical practice over the last 45 years merits a fresh definition and discussion. An experimental approach is not identifiable in specific sounds or techniques, and its scope would be drastically limited if it were judged on the basis of social or aesthetic groupings or self-identifications of composers.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
Chronological subdivision 20th century
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
Chronological subdivision 21st century
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Avant-garde (Music)
994 ## -
-- C0
-- VF$
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     Storms Research Center Storms Research Center Main Collection 10/28/2025   ML 197 .G6857 2016 98651703 10/28/2025 27.06 10/28/2025 Book