The B side : (Record no. 135504)

MARC details
000 -LEADER
fixed length control field 03237cam a2200397Ii 4500
001 - CONTROL NUMBER
control field ocn881094034
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251028093347.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 140605s2015 nyuacf b 001 0 eng d
035 ## - SYSTEM CONTROL NUMBER
System control number (Sirsi) i9781594488498
040 ## - CATALOGING SOURCE
Original cataloging agency YDXCP
Language of cataloging eng
Description conventions rda
Transcribing agency YDXCP
Modifying agency BTCTA
-- OCLCQ
-- BDX
-- OCLCQ
-- WIM
-- UKMGB
-- SFR
-- OCLCF
-- ABG
-- CDX
-- VP@
-- COO
-- UAB
-- UPZ
-- INR
-- VF$
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBB4E5964
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 016975290
Source Uk
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781594488498 (hardback)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1594488495 (hardback)
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)881094034
043 ## - GEOGRAPHIC AREA CODE
Geographic area code n-us---
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML 3477
Item number .Y34 2015
049 ## - LOCAL HOLDINGS (OCLC)
Holding library VF$A
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Yagoda, Ben,
Relator term author.
245 14 - TITLE STATEMENT
Title The B side :
Remainder of title the death of Tin Pan Alley and the rebirth of the great American song /
Statement of responsibility, etc. Ben Yagoda.
246 14 - VARYING FORM OF TITLE
Title proper/short title B-side
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Riverhead Books, a member of Penguin Group (USA),
Date of production, publication, distribution, manufacture, or copyright notice 2015.
300 ## - PHYSICAL DESCRIPTION
Extent 310 pages, 16 unnumbered pages of plates :
Other physical details illustrations, portraits ;
Dimensions 24 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 286-291) and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Premises, premises -- Mr. Miller and Mr. Schwartz, 1954 -- I get a kick out of you, 1885-1933 -- Jukebox Saturday night, 1925-1942 -- As time goes by, 1941-1948 -- What happened to the music?, 1946-1954 -- Brill Building boys, and girl, 1950-1955 -- The big beat, 1951-1968 -- Fly me to the moon, 1939-1965 -- Do you believe in magic?, 1957-1965.
520 ## - SUMMARY, ETC.
Summary, etc. An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
520 ## - SUMMARY, ETC.
Summary, etc. "Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history" --
Assigning source from publisher's web site.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Popular music
Geographic subdivision United States
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Popular music
General subdivision Writing and publishing
Geographic subdivision United States
General subdivision History and criticism.
994 ## -
-- C0
-- VF$
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     Storms Research Center Storms Research Center Main Collection 10/28/2025   ML 3477 .Y34 2015 98649705 10/28/2025 18.73 10/28/2025 Book