The documentary film book / (Record no. 133779)

MARC details
000 -LEADER
fixed length control field 05621cam a2200421 i 4500
001 - CONTROL NUMBER
control field ocn858804873
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251028093314.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 140114s2013 enka b 001 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2013404106
035 ## - SYSTEM CONTROL NUMBER
System control number (Sirsi) i9781844573417
040 ## - CATALOGING SOURCE
Original cataloging agency ERASA
Language of cataloging eng
Description conventions rda
Transcribing agency ERASA
Modifying agency DLC
-- QGK
-- COD
-- OUN
-- ZWZ
-- OCLCO
-- YDXCP
-- BTCTA
-- BDX
-- UKMGB
-- IQU
-- COO
-- CIA
-- CHVBK
-- OCLCO
-- LMR
-- VF$
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBB384173
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 016498272
Source Uk
019 ## -
-- 852224543
-- 854889955
-- 858824346
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781844573417 (softcover)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1844573419
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)858804873
Canceled/invalid control number (OCoLC)852224543
-- (OCoLC)854889955
-- (OCoLC)858824346
042 ## - AUTHENTICATION CODE
Authentication code lccopycat
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN 1995.9 .D6
Item number D56 2013
049 ## - LOCAL HOLDINGS (OCLC)
Holding library VF$A
245 04 - TITLE STATEMENT
Title The documentary film book /
Statement of responsibility, etc. edited by Brian Winston.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Houndmills, Basingstoke, Hampshire ;
-- New York :
Name of producer, publisher, distributor, manufacturer Palgrave Macmillan on behalf of the British Film Institute,
Date of production, publication, distribution, manufacture, or copyright notice 2013.
300 ## - PHYSICAL DESCRIPTION
Extent xv, 400 pages :
Other physical details illustrations ;
Dimensions 26 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary. PART I: DOCUMENTARY VALUES. The Question of Evidence, the Power of Rhetoric and Documentary Film / Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence / Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject / Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore / Douglas Kellner -- CGI and the End of Photography as Evidence / Taylor Downing -- Drawn From Life: The Animated Documentary / Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form / Derek Paget -- Ambiguous Audiences / Annette Hill -- Life As Narrativised / Brian Winston -- The Dance of Documentary Ethics / Pratap Rughani -- Deaths, Transfigurations and the Future / John Corner. PART II: DOCUMENTARY PARADIGMS. Problems in Historiography: The Documentary Tradition Before Nanook of the North / Charles Musser -- John Grierson and the Documentary Film Movement / Ian Aitken -- Challenges For Change: Canada's National Film Board / Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand / Deane Williams -- New Deal Documentary and the North Atlantic Welfare State / Zoe Druick and Jonathan Kahanan -- The Triumph of Observationalism: Direct Cinema in the USA / Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov / Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s-50s / Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition / Elena Von Kassel Siambani -- Cin�ema V�erit�e: Vertov Revisited / Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions / Craig Hight. PART III: DOCUMENTARY HORIZONS. Eastwards / Abe Mark Nornes -- Africa N. / Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil / Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada / Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday -- Poetic V�erit�e in the Eastern European Tradition / Susanna Helke. PART IV: DOCUMENTARY VOICES. First-Person Political / Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them / Julia Lesage -- Pioneers of Black Documentary Film / Pearl Bowser -- LGTBs' Documentary Identity / Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment / Richard Kilborn -- Reality TV: A Sign of the Times? / Anita Biressi and Heather Nunn. PART V: DOCUMENTARY DISCIPLINES. Anthropology: The Evolution of Ethnographic Film / Paul Henley -- Science, Society and Documentary / Tim Boon -- History Documentaries for Television / Ann Gray -- Music, Documentary, Music Documentary / Michael Chanan -- Art, Documentary as Art / Michael Renov. PART VI: DOCUMENTARY FUTURES. Documentary as Open Space / Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online / John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto' / Peter Wintonick -- Afterword: The Unchanging Question / Brian Winston.
520 ## - SUMMARY, ETC.
Summary, etc. "Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, 'The Documentary Film Book' is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies."--Page 4 of cover.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Documentary films
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Documentary films
General subdivision Social aspects.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Documentary films.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Winston, Brian,
Relator term editor of compilation.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element British Film Institute.
994 ## -
-- C0
-- VF$
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     Storms Research Center Storms Research Center Main Collection 10/28/2025   PN 1995.9 .D6 D56 2013 98646466 10/28/2025 26.23 10/28/2025 Book