MARC details
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03321cam a22004214a 4500 |
| 001 - CONTROL NUMBER |
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ocn777601663 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20251028093248.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
120522s2013 mau b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2012019666 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(Sirsi) i9781429837330 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
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BTCTA |
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BDX |
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OCLCO |
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GVA |
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YDXCP |
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OKN |
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IG# |
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CGN |
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YUS |
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VF$ |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781429837330 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1429837330 (hardcover) |
| 024 8# - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
40021557726 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)777601663 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN 56 .D94 |
| Item number |
D97 2013 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
VF$A |
| 245 00 - TITLE STATEMENT |
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| Title |
Dystopia / |
| Statement of responsibility, etc. |
editor M. Keith Booker. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Ipswich, Mass. : |
| Name of publisher, distributor, etc. |
Salem Press, |
| Date of publication, distribution, etc. |
c2013. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xii, 292 p. ; |
| Dimensions |
23 cm. |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Critical insights |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (p. 279-281) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
On dystopia / |
| Statement of responsibility |
M. Keith Booker -- |
| Miscellaneous information |
Critical contexts : |
| Title |
Critical reception / |
| Statement of responsibility |
Derek Thiess ; |
| Title |
Ursula K. Le Guin's critical dystopias / |
| Statement of responsibility |
Raffaella Baccolini ; |
| Title |
Totalitarian technocracies / |
| Statement of responsibility |
Thomas Horan ; |
| Title |
Compare/contrast: media culture, conformism, and commodification in Ray Bradbury's Fahrenheit 451 and M. T. Anderson's Feed / |
| Statement of responsibility |
M. Keith Booker -- |
| Miscellaneous information |
Critical readings : |
| Title |
Science, politics, and utopia in George Orwell's Nineteen eighty-four / |
| Statement of responsibility |
Tony Burns ; |
| Title |
Need it all end in tears? The problem of ending in four classic dystopias / |
| Statement of responsibility |
Andrew Milner ; |
| Title |
"They got me a long time ago": the sympathetic villain in Nineteen eighty-four, Brave new world, and Fahrenheit 451 / |
| Statement of responsibility |
Rafeeq O. McGiveron ; |
| Miscellaneous information |
"The |
| Title |
wretched refuse of your teeming shore": overpopulation and social breakdown in Harry Harrison's Make room! Make room! / |
| Statement of responsibility |
Brian Ireland ; |
| Title |
Rationalism, revolution, and utopia in Yevgeny Zamyatin's We / |
| Statement of responsibility |
Peter G. Stillman ; |
| Miscellaneous information |
The |
| Title |
meaning of "I" in Ayn Rand's Anthem / |
| Statement of responsibility |
Aaron Weinacht ; |
| Title |
Frontierism and dystopian representations of home in F. Pohl and C. M. Kornbluth's The space merchants / |
| Statement of responsibility |
Enrica Picarelli ; |
| Miscellaneous information |
A |
| Title |
Nineteen eighty-four for the twenty-first century: John Twelve Hawks's Fourth realm trilogy as critical dystopia / |
| Statement of responsibility |
Alexander Charles Oliver Hall ; |
| Title |
This edged hymn: China Mi�eville within and against dystopia / |
| Statement of responsibility |
Sandy Rankin ; |
| Title |
1983: Cory Doctorow's Little brother / |
| Statement of responsibility |
Susan L. Stewart ; |
| Title |
Future almost lost: dystopian science-fiction film / |
| Statement of responsibility |
Sean Redmond. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
To be dystopian, a work needs to foreground the oppressive society in which it is set, using that setting as an opportunity to comment in a critical way on some other society, typically that of the author and/or the audience. In other worlds, the bleak dystopian world should encourage the reader or viewer to think critically about it, then to transfer this critical thinking to his or her own world. This volume in the Critical Insights series presents a variety of new essays on the perennial theme. --from publisher description |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Dystopias in literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Utopias in literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Fiction |
| Chronological subdivision |
20th century |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Fiction |
| Chronological subdivision |
21st century |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Science fiction |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Science fiction films |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Literature and society. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Booker, M. Keith. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Critical insights. |
| 994 ## - |
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C0 |
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VF$ |