Lab coats in Hollywood : (Record no. 131038)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03146cam a2200325 a 4500 |
| 001 - CONTROL NUMBER | |
| control field | ocn606052689 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251028093221.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 100407s2011 maua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2010011961 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Sirsi) i9780262014786 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Sirsi) i9780262014786 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Transcribing agency | DLC |
| Modifying agency | YDX |
| -- | YDXCP |
| -- | CDX |
| -- | BWX |
| -- | TWC |
| -- | OBE |
| -- | ORX |
| -- | MOF |
| -- | UKMGB |
| -- | MIX |
| -- | QQ3 |
| -- | BDX |
| -- | VF$ |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER | |
| Record control number | 015710130 |
| Source | Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780262014786 (hardcover : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0262014785 (hardcover : alk. paper) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)606052689 |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN 1995.9 .S265 |
| Item number | K57 2011 |
| 049 ## - LOCAL HOLDINGS (OCLC) | |
| Holding library | VF$A |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kirby, David A. |
| Fuller form of name | (David Allen), |
| Dates associated with a name | 1968- |
| 245 10 - TITLE STATEMENT | |
| Title | Lab coats in Hollywood : |
| Remainder of title | science, scientists, and cinema / |
| Statement of responsibility, etc. | David A. Kirby. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Cambridge, Mass. : |
| Name of publisher, distributor, etc. | MIT Press, |
| Date of publication, distribution, etc. | c2011. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xiv, 265 p. : |
| Other physical details | ill. ; |
| Dimensions | 24 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Scientific expertise in Hollywood : the interactions between scientific and entertainment cultures -- Cinematic science : scientific representation, film realism, and virtual witnessing technologies -- Valuing expertise : the entertainment industry's and scientific community's motivations in the science consulting relationship -- Scientists on screen : being a scientist, looking like a lab -- Cinematic fact checking : negotiating scientific facts within filmmaking culture -- Best guesses : scientific uncertainty, flexibility, and scientists in the aisles -- Fantastically logical : fantastic science, speculative scenarios, and the expertise of logic -- Preventing future disasters : science consultants and the enhancement of cinematic disasters -- The future is now : diegetic prototypes and the role of cinematic narratives in generating real-world technological development -- Improving science, improving entertainment : the significance of scientists in Hollywood. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Stanley Kubrick{u2019}s "2001: A Space Odyssey", released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick{u2019}s scientific verisimilitude in 2001 came courtesy of his science consultants{u2014}including two former NASA scientists{u2014}; and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don{u2019}t consult experts as extensively as Kubrick, films ranging from "A Beautiful Mind" and "Contact" to "Finding Nemo and "The Hulk"have achieved some degree of scientific credibility because of science consultants. In Lab Coats in Hollywood, David Kirby examines the interaction of science and cinema: how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and how movies affect popular perceptions of science. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Science in motion pictures. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Scientists in motion pictures. |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Total checkouts | Full call number | Barcode | Date last seen | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Storms Research Center | Storms Research Center | Main Collection | 10/28/2025 | PN 1995.9 .S265 K57 2011 | 98643202 | 10/28/2025 | 13.24 | 10/28/2025 | Book |