Designing a digital portfolio / (Record no. 129583)

MARC details
000 -LEADER
fixed length control field 05570cam a22004937a 4500
001 - CONTROL NUMBER
control field ocn439520184
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251028093154.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 091119s2010 caua b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2009289848
035 ## - SYSTEM CONTROL NUMBER
System control number (Sirsi) i9780321637512
035 ## - SYSTEM CONTROL NUMBER
System control number (Sirsi) i9780321637512
040 ## - CATALOGING SOURCE
Original cataloging agency UKM
Transcribing agency UKM
Modifying agency DLC
-- BTCTA
-- YDXCP
-- ORX
-- C#P
-- BWX
-- EDK
-- VF$
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBA959036
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 015291335
Source Uk
019 ## -
-- 316017738
-- 403417401
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780321637512 (pbk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0321637518 (pbk.)
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)439520184
Canceled/invalid control number (OCoLC)316017738
-- (OCoLC)403417401
042 ## - AUTHENTICATION CODE
Authentication code lccopycat
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number NC 1001
Item number .B355 2010
049 ## - LOCAL HOLDINGS (OCLC)
Holding library VF$A
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Baron, Cynthia.
245 10 - TITLE STATEMENT
Title Designing a digital portfolio /
Statement of responsibility, etc. Cynthia L. Baron.
250 ## - EDITION STATEMENT
Edition statement 2nd ed.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Berkeley, CA :
Name of publisher, distributor, etc. New Riders,
Date of publication, distribution, etc. c2010.
300 ## - PHYSICAL DESCRIPTION
Extent xix, 339 p. :
Other physical details ill. (some col.) ;
Dimensions 26 cm.
490 1# - SERIES STATEMENT
Series statement Voices that matter
500 ## - GENERAL NOTE
General note Previous ed.: 2004.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction -- Part 1: Planning -- 1: Assessment and adaptation -- Soul-searching -- Adapting your content -- Creating your own projects -- Partnering -- Portfolio highlight: Luke Williams with Jonnie Hallman / Partnering -- 2: Professions -- Purpose -- Portfolio ingredients -- Your portfolio mix -- Grain of salt -- Portfolio highlight: Will Scobie / Primary directive -- 3: Your audience -- Why do I research? -- What should you research? -- Search tools -- When are you done? -- Portfolio highlight: People design / Know your market -- 4: Delivery and format -- Portable media -- Email -- Online -- Portfolio strategies -- Portfolio highlight: Emmanuel Laffon de Maziere / Form and function -- Part 2: Collecting And Preparing -- 5: Organizing your work -- Collecting material -- Storing original art -- Organizing samples and artwork -- Organizing digital files -- Portfolio highlight: John Locke / Left brain, right brain -- 6: Transferring physical media to digital -- Digital craft defined -- Getting help -- Shooting 3D and oversized work -- Digitizing flat art -- Digitizing slides and negatives -- Digitizing VHS tapes -- Cleaning up -- Working process -- Choosing a file type -- Editable issues -- Resizing -- Sharpening -- Portfolio highlight: Triboro Design / Applause in translation -- 7: Repurposing and optimizing -- File adaptation strategies -- Repurposing with PDFs -- Optimizing image files -- Optimizing process -- Optimizing video -- Encoders and players -- Encoding settings -- After the artwork -- Portfolio highlight: Thom Bennett / Optimal detail --
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 8: Creating written content -- Avoiding writing errors -- What to write and why -- Identifying your work -- Introducing yourself -- Explaining your creative thinking -- Writing to your audience -- Portfolio highlight: Sandstrom Design -- Get your words' worth -- Part 3: Production -- 9: Structure and concept -- Choosing a delivery technology -- Developing for web or portable -- Thinking about structure -- Selecting a metaphor -- How you use a metaphor -- Concept -- Putting it all together -- Portfolio highlight: CloudRaker / Experienced design -- 10: Designing a portfolio interface -- Screen is not a book -- Interface design process -- Process stages -- Avoid distractions -- Moving to production -- Portfolio highlight: Layla Keramat / Master plan -- 11: Portfolio reels -- Reel possibilities -- Your reel and the market -- Developing the reel -- Structure -- Audience sweetners -- Reel delivery -- Portfolio highlight: Metaversal Studios / Reel life -- Part 4: Marketing -- 12: Copyright and portfolio -- Understanding fair use -- Respecting others' rights -- Roles and large projects -- Owning your work -- Protecting your work -- Protection technologies -- Dealing with infringement -- Portfolio highlight: Noa Studios / Fair share -- 13: Presenting your portfolio -- Testing your work -- Getting feedback -- Packaging a portable portfolio -- Getting the word out -- Contacting individuals -- Personal presentation -- Following up -- Staying relevant -- End, maybe -- Portfolio highlight: Ken Loh / Hand in the game -- Part 5: Appendixes -- Appendix A: Resources -- Appendix B: Contributors -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. From the Publisher: Portfolios have always been artists' most valuable tools for communicating their talents to the outside world, whether to potential employers or galleries or clients. But the days of sketches and slides have given way to arrangements of digital assets that are both simpler and more complex than their traditional analog counterparts. Instructor and design professional Cynthia Baron covers all the facets that artists need to know, from choosing the best work for a particular audience to using various file formats to organizing, designing, and presenting the portfolio. Beautiful full-color illustrations demonstrate her instructions and case studies throughout portray examples of attractive and effective portfolio design. This book gives artists at any level a creative edge, ensuring that their portfolios get noticed and help them stand out from the crowd.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art portfolios
General subdivision Design.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Graphic arts
General subdivision Marketing.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Design services
General subdivision Marketing.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Computer graphics.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Internet marketing.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Computer graphics.
Source of heading or term sears
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Multimedia.
Source of heading or term sears
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art
General subdivision Marketing.
Source of heading or term sears
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Voices that matter.
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     Storms Research Center Storms Research Center Main Collection 10/28/2025   NC 1001 .B355 2010 98641099 10/28/2025 29.69 10/28/2025 Book