Digital filmmaking 101 : (Record no. 127222)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 06773cam a2200421 a 4500 |
| 001 - CONTROL NUMBER | |
| control field | ocm74942007 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251028093110.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 061031s2007 caua b 000 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2006036459 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Sirsi) i9781932907230 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Sirsi) i9781932907230 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Transcribing agency | DLC |
| Modifying agency | IG# |
| -- | BAKER |
| -- | BTCTA |
| -- | YDXCP |
| -- | VP@ |
| -- | CRH |
| -- | VF$ |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1932907238 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781932907230 |
| 029 0# - OTHER SYSTEM CONTROL NUMBER (OCLC) | |
| OCLC library identifier | IG# |
| System control number | 1932907238 |
| 029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) | |
| OCLC library identifier | YDXCP |
| System control number | 2517511 |
| 029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) | |
| OCLC library identifier | AU@ |
| System control number | 000041037736 |
| 029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) | |
| OCLC library identifier | NZ1 |
| System control number | 11499046 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)74942007 |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN 1995.9 .P7 |
| Item number | N47 2007 |
| 049 ## - LOCAL HOLDINGS (OCLC) | |
| Holding library | VF$A |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Newton, Dale, |
| Dates associated with a name | 1957- |
| 245 10 - TITLE STATEMENT | |
| Title | Digital filmmaking 101 : |
| Remainder of title | an essential guide to producing low-budget movies / |
| Statement of responsibility, etc. | Dale Newton & John Gaspard. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Studio City, CA : |
| Name of publisher, distributor, etc. | Michael Wiese Productions, |
| Date of publication, distribution, etc. | c2007. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xvii, 291 p. : |
| Other physical details | ill. ; |
| Dimensions | 23 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (p. 287-290). |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 1. The dream, taking a leap -- 2. The script, if it ain't on the page... -- The basics -- Story -- The three-act structure -- Writing for a tiny budget -- Creating unique characters -- Mystery -- Twists -- Dramatic tension -- Building drama or comedy -- Testing your story -- Number of characters -- Number of locations -- Write what you own -- Night vs. day & big vs. small -- Other constraints -- Finding the write stuff -- 3. The budget, and how to budge it -- Essentials -- Almost-essentials -- Luxuries -- The budget -- Four budget options -- Pinching the pennies (until Abraham yells) -- Squeezing the budget -- Screenplay and rights -- Cast and crew -- Set construction -- Model building -- Wardrobe -- Makeup and hair -- Lighting and lighting supplies -- Camera equipment -- Sound equipment -- Vehicles -- Meals -- Locations -- Tape stock -- Digital still camera and production stills -- Storage vault rental -- Non-linear edit system -- Editing software -- Film-look software -- Video dubs -- Music recording -- Sound effects, foley, dialogue looping -- Titles -- Sneak preview -- Final output and preview DVDs -- Publicity photos and packets -- Photocopying scripts, miscellaneous photocopying -- Postage for publicity and preview DVDs -- Video-to-film transfer -- How to shoot it for less -- |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 4. The business, Ultra-Low Budget, Inc. -- Business decisions -- Money -- Professional help -- Insurance -- Employees -- Rights -- Legal liability -- Business structure -- Liability waivers -- Copyright -- Tax obligations -- 5. The money, "hello, Uncle Burt? You don't remember me, but..." -- Investors -- Credit cards -- Scrimping -- Grants -- Favors -- Found money -- 6. Preproduction, "being compulsive is not a bad thing. I know. I double checked" -- Digital or film -- Video format -- Shooting ratio -- Publicity -- Time for a breakdown -- Step 1 : marking script segments -- Step 2 : script breakdown pages -- Step 3 : making the strips and the production board -- Step 4 : sorting the strips -- Step 5 : laying out the shooting days -- Props, action props, locations, and assistance -- Choosing a look -- Technical preparation -- 7. Casting the cast, to be or not to be for free -- Finding actors -- Talent agencies -- Local theaters -- Open auditions (a.k.a. cattle calls) -- Auditioning actors -- A place to audition -- A traffic manager -- Sides -- A schedule-conflict sheet -- Video camera and operator -- The audition -- The ten commandments of auditions -- Casting the cast -- Asking people to "work for free" -- |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 8. Corralling the crew, assembling the dream team -- Finding crew people -- Interviewing the crew -- Desired characteristics and attitudes -- Specialized skills or attitudes -- Choosing the crew -- Selecting a director and producer -- Letting your crew do its best -- 9. Production, lights, camera, chaos! -- Training -- Twenty (thousand) questions -- The big lie -- Read-through and rehearsals -- Shot lists -- Long takes -- Abandoning your shot list -- Continuity -- Touchups -- Where to begin... and where to end -- The geography lesson -- Directors vs. producers -- Sound advice -- You've been framed -- Shooting for a film look -- Feeding the masses -- Extra! Extra! -- Photo opportunity -- Action and stunts -- Intimate scenes -- Viewing dailies -- 10. Special effects, please pass the construction paper -- Miniatures -- Mini-sets -- Replacement shots and continuity tricks -- Poor-person's process shots -- Specialty costumes -- Specialty props -- Animation and in-camera effects -- Titles -- Camera rigs and effects gear -- Chemistry and science effects -- Don't-try-this-at-home effects -- 11. Postproduction, the light at the end of the tunnel : completion or oncoming train? -- Editing -- Finding your editor -- Editing equipment -- Working with your editor -- Editing for a film look -- The rough cut or first cut -- The fine cut -- Sound-effects editing -- Dialogue looping -- Music -- Using existing music -- Finding a composer -- What to give your composer -- Working with your composer -- The final output -- Keeping in touch -- |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 12. Distribution, meet the new boss. same as the old boss -- The distribution stream -- When should you approach distributors? -- How to find distributors / how to be found -- Film markets -- Festivals -- The direct approach -- Website promotion -- Getting someone else to do it -- The budget question -- Lying -- An alternate truth -- Skirting the issue -- The truth -- The deal & other details -- What you'll need to provide -- Self-distribution & self-flagellation : how to tell them apart -- Theatrical -- Home video -- Internet -- Afterword -- Enlarged appendix -- Sample script layout -- Sample forms -- Call sheet -- Group release -- Cast and crew release -- Location release -- Artwork release -- Shot log -- Equipment rental list -- Sample menus for weekend film shoots -- Press kit : sample synopsis -- Press kit : sample credit list -- Press kit : sample production notes -- Other resources -- Independent feature film project offices -- Websites -- Features and shorts -- Educational sites -- Film festival resources -- Film commissions -- Movie scripts on-line -- Educational resources -- Tape-to-film transfers -- DVD and tape duplication -- Videotape, CD, DVD suppliers -- Equipment retailers -- Where to buy movie scripts -- Publications -- Magazines -- Copyright and script registration -- Photo processing -- Business information -- Corporate-stock rules -- Business tax forms. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion pictures |
| General subdivision | Production and direction. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Digital video. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Gaspard, John, |
| Dates associated with a name | 1958- |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Table of contents only |
| Uniform Resource Identifier | <a href="http://www.loc.gov/catdir/toc/ecip074/2006036459.html">http://www.loc.gov/catdir/toc/ecip074/2006036459.html</a> |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Total checkouts | Full call number | Barcode | Date last seen | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Storms Research Center | Storms Research Center | Main Collection | 10/28/2025 | PN 1995.9 .P7 N47 2007 | 98635606 | 10/28/2025 | 12.99 | 10/28/2025 | Book |